Slave Machinery, Same But Not Same

A friend of mine suggested I make some changes to the way the “S” connected to the “L,” and I felt she might be onto something. So I tried it out by giving the “L” a slight portrusion on the bottom. And while I was at it, I also tweaked the outlines a bit and flattened the coloring a bit to make it all more even and balanced.

For comparison — here’s the previous version before all the tweaking.

Let me know which version you prefer.

In the meanwhile, I’ll continue with my next project(s).

 

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Slave Machinery, Day 3.

I’m still obsessed with improving my thrash game. But I’m beginning to get the hang of it. I know now the right angles, and I think I know how to handle the negative space.

Hopefully, sometime this weekend, I get to finish the logo — one of them, and then I’ll write some stuff on how to make one yourself.

 

Dial R for Retro

Spent the better part of the day improving my thrash game. Once I’m done, I probably have enough letters to supply the whole thrash scene with brand new, retro-inspired logos. 

Kidding aside, I learned a few things in terms of angles of spacing on me while I was drawing and designing these letters. I’ll come back to that when I have more to show you.

 

Slave Machinery

Today I tried to come up with a thrash metal logo for the first time ever … I’m not quite there yet, but I’m getting there.

I’m thinking the logo could do with a bit less repetition, and its flow needs some improving. If you have any other ideas on how to improve the design, I’m open to suggestions!

Oh, and by the way, for those not in the know – the name’s a reference to a song by Kreator, one of my favorite thrash metal bands.