I can finally reveal the cover I illustrated for Dauthuz‘ first full-length album — in all its original black-and-white glory and goriness.
Mind you, this version — the one I prefer and give you here — differs signifcantly from the definitive cover art, as can be seen on their website.
I don’t want to throw anyone under the bus. The band couldn’t get behind the design as originally intended by me, and so they had some changes made (by someone else than me). I don’t like it — but there’s no pleasing everyone, and that’s just the way is. So I’m not going to complain or throw a fit. But I do feel a need to explain what I feel has gotten lost in the final design.
For starters, gone now is the simple triangular composition, and with it the tight negative space surrounding the skull and corpses; gone now the eye in the right socket, and with it a centrifugal focal point. On that last note, the focal potential of the center skull is even further undermined by the bright candy red color scheme of the background — an area that due to its radiance, now “pops” to the foreground.
And it’s not just the layout that took a hit. Subtle references to some of my favorite artists and bands are no longer there anymore. Take the eye, for instance. It was meant to be a design nod to Mark Riddick, one of the industry’s greats, whose work has been of great influence to me. Now it’s just a gaping hole, void of any reference.
Oh well, it is as it is. But it does make me think about how I want to go about things in the future. And, well, I still got a solid portfolio piece out of it, which also counts for something.
The album titled by the way, Destined by Death will be out in November.