Earlier today someone asked me, “Do you have a site or a blog I could check to see some of your work?” Which reminded me that I do actually. And with that realization came the one that I’ve been sitting on some news for quite a while now.
My last post was about the new Cardinal logo which I ended by noting that I was working on several more. And well some of them, they are about done and with others, progress is being made.
While on the subject of band art, I also want to mention — if I haven’t done so in a previous blog entry — that I completed designing my first fully-illustrated album cover. The band members were so pleased with the design that they also had it printed as an on-stage backdrop of about ten by six feet. And it’s already seen some live use at a gig last weekend. Even so, the band have requested me not to show it in full just yet because they want to do a big reveal for the label and their fans in an official kind of way sometime soon.
I can show you, however, something entirely else — a cartoon I recently finished drawing. There’s a bit a of a story behind it, the details of which I’ll recount at a later date, probably sometime later this week. So for now, just enjoy what you see here.
I haven’t done much drawing for the past few days since I was bent on finishing reading Perdido Street Station by China Mieville. It’s a great read with imaginative, inspiring characters in it — like, for instance, industrial remade chimeras, sapient talking birdmen, and human-like women with chitinous heads. But yesterday it came to me that, arguably, the greatest of all characters is New Crobuzon, the city in which the story takes place. I say ‘arguably’ but it seems pretty clear to me that Mieville spent more time fleshing out its background, history, politics, demography, etc., than detailing or explaining the characters — bar one exception, perhaps. So the city becomes more than just a backdrop, it becomes an active agent in the story… Anyway, why am I telling you all this? Well, here’s the thing, I was thinking of ‘cartoonifying’ some of the book’s characters. I thought of how to draw machinery, feathers, and city scapes. And then I went on thinking… and thinking… And during all that time, the (digital) canvas remained empty. Which brings me to the point of this post.
Today I decided to ‘kickstart’ myself, again. But instead of going through my usual routine — participating in a design contest, always against my better judgment — I decided to partake in a challenge set by Mallory Carlson at the Nickelodeon Artist Program. Let me tell you, it has been a fun experience. Not only did it get me drawing again, it’s also been really inspiring to see what fellow-artists came up with!
This week, I participated in a design contest for some marathon event. I was to draw a Viking helmet with a Viking running on top of it. So I came up with this idea… to make the helmet look like a naturescape, a runner’s paradise of sorts, with some running figures on the path. But sadly, the contest holder deemed it “too colorful,” so that was it…
I say sadly, but in truth it was a “bi-winning” experience nonethelesss. After all, the contest provided me both a deadline and an opportunity to practice drawing scenery — which I have been wanting for months but which I have kept postponing –, and in the end the drawing came out pretty decent. So, uh, the takeaway from all this is, that sometimes it’s good to have a deadline.
Full disclosure: As someone who majored in history, I know damn well that Viking helmets in actuality never had horns attached to them. But, let’s face it, they do look better with horns.